Mado (1976)

Mado (1976)

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Ο μεσήλικας επιχειρηματίας, Simon Léotard βρίσκει το μέλλον του σε κίνδυνο όταν η σύντροφός του Julien αυτοκτονεί αφού έχει συσσωρεύσει ένα σωρό χρέη.

Ο αδίστακτος επιχειρηματικός αντίπαλος του Σάιμον.

Ηθοποιοί
Charles Denner·Jacques Dutronc·Michel Piccoli·Ottavia Piccolo
Σκηνοθετημένο από
Claude Sautet
Είδος
Drama
Γλώσσα
French
Χώρα
France·Italy·West Germany
6.7IMDb

Director
Claude Sautet

Michel PiccoliSimon Léotard
Ottavia PiccoloMado
Jacques DutroncPierre
Charles DennerReynald Manecca
Romy SchneiderHélène
Julien GuiomarLépidon
Claude DauphinVaudable
Michel AumontAimé Barachet
Jean BouiseAndré
André FalconMathelin
Jacques RichardGirbal
Jean-Denis RobertAlex
Nicolas VogelMaxime
Marc ChapiteauFrancis
Sabine GlaserLa soeur du marié
Konrad von BorkSalva
David TonelliWilliam
Nathalie BayeCatherine
Dominique ZardiCrovetto, le fabricant du faux passeport
Jean-Paul MoulinotPapa
Denise FiliatraultLucienne
Bernard FressonJulien, l'associé de Simon
Michel BardinetFélix
Philippe Sarde
Henri Coutet
Pierre Londiche
Marie MansartJacqueline
André Cassan
Pierre Guffroy
André Génovès
Hilaire Lovato
Claude NéronMaurice
Marcel PortierLoiselle
Claude Sautet
Carole Fouanon
Nina Gorski
Caroline Lange
Carole Salomon
Jacqueline Thiédot
Jean Boffety

A few years ago The BFI showed a season of the films of Claude Sautet. It proved to be a revelation to many who were unfamiliar with his work.

The glum Simon Leotard is a businessman who confronts the greed of the rapacious Lepidon.After the suicide of one of his business partners,Leotard must honor some credence,as the hole created by the late's mismanagement amounts to 600 millions Francs.

In some ways, Claude Sautet's Mado is an inversion of his earlier Max et les ferrailleurs, which followed a protagonist played by Michel Piccoli as his scheming leads him to personal disaster and isolation; Mado starts with a no-less-consumed Piccoli protagonist, Simon, but this time the journey leads to an extended and surprising vision of community. Just as with Sautet's Cesar and Rosalie, there's an apparent structural oddity in the title: Mado isn't the main character (she's a prostitute with whom Simon has a relationship that causes him as much angst as pleasure), and her fate isn't the film's predominant preoccupation.